?No.? I'm confused. Two days earlier, I had met filmmaker Brian Paul in New Orleans while he was promoting his documentary, Cure For the Crash, a fascinating look inside the minds of ?train hoppers.? I told him I wanted to learn about the ?art? of hopping, and he agreed to meet me across the river.
?What do you mean ?No?,'? I ask, not even trying to hide my annoyance.
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